Defines 'female‑led cosmogenesis' and argues that Paleolithic art and cross‑cultural myth patterns support multiple active female creators over a monolithic Great Mother, with phylogenetic and archaeological evidence.
Do emergence-style creation myths reach back to the Paleolithic? A critical synthesis of phylogenetic work, Pueblo/Andean data, and Paleolithic ‘Venus’ iconography that centers women as cosmogenic agents.
Examines the evolutionary hypothesis that female-led selection pressures for social intelligence and self-domestication placed women at the vanguard of human evolution.